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Isaia Antonaci

Visual Artist

Gesture becomes residue.
My work explores subtraction, imprint,
and memory as material presence.

FOCUS

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THROUGH THE BLACK
2022, mixed media on canvas
108.5 × 110.5 cm

Part of the Attraverso il Nero series, where the abrasive gesture generates light and presence through the removal of matter.

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FRAMMENTO A/B – Side A
2019, matrix on paper mounted on plexiglass
25 × 170 cm

A suspended work that explores transparency and the fragment as a partial, shifting perceptual construct—deconstructing form to reveal its latent structure.

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CALCO 53
2020, transfer on canvas
100 × 100 cm

From the Calchi series, in which the pictorial gesture emerges through subtraction and release.
The mark is an imprinted memory, an indirect trace.

STATEMENT

‘Through painting, installation, and materials such as plexiglass and paper, I create suspended spaces between presence and absence, where the sign emerges through subtraction—becoming a trace, an imprint, a fragment.
Each work expands into space as a sensitive body, balancing memory, transformation, and perception.’

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