The goal, as for the painting, remains a facade, the starting point, a mirror in which to confront, where to reduce, eliminate any rigidity, any representation of a Self wanted by an unconscious rationality. “the gold is locked in the casket until its release”: it is a martial concept and of personal evolution. Purity has no form , spontaneously re-emerges through fasting from superfluos. The surfaces are excavated, remodeled, deposited outdoors, left in molds one on top of the other to transfer their own substance. Their task is to respond adequately to the unconscious state of our form, in relation to the external contrasts that surround us and alter ourselves, where Man finds himself and confronts himself with the abstraction of his image. What is the difference between alteration and evolution, what cancels us and what instead allows the change towards a different consciousness? The change becomes a key to dialogue between the work and the viewer. Metamorphosis is the basis of this language and everything is well defined in a mental order in which the pattern is the change itself. But are we really masters of every data that manipulates our Form? The truth is a path of identity that we can rediscover through the movement of the body. Meditating and acting, in the totality of the moment we are reunited in the divine being. The gaze seeks the infinite in the depths of Man, so that the works contemplate towards singular representation for an ever deeper clarity of identity, in a moment where the vision of self and self in the collective is in continuous reorganization and disintegration, interconnected with a voracious society that leaves a constant dimension of uncertainty.”