Sintesi: massa – calco – frammento
exhibition at Ikonika Art Gallery, Milan, 15/1 – 31/1 2021
With this series, we enter the core of my pictorial process, shaped by subtraction, release, and transformation.
The mark is never direct but transferred—it arises from pours of color on paper, later imprinted onto canvas like a filtered memory.
Painting becomes an indirect consequence, an action through non-action, where presence emerges from what remains.
From an initial mass of energy, a first cast takes form and goes on to generate other works.
The process is both circular and generative, yet regressive: each step reduces, consumes, fragments.
What remains is a kind of pictorial shroud—torn, divided, layered over time—that preserves the deep core of the research.
