The sign is transferred from one surface to another by color casts made on paper, so painting, in this case, is an indirect consequence, an action in non-action. From a “mass of energy” the mold for a second work comes to life, and so on, up to its reduction… finally the work is summarized in the residue of the first cast released, now torn, split and consumed but which contains the core of this analysis. It is a circular work, which is reduced to the “fragment” through different stages of maturation.
Frammento C/D, mixed media on paper applied on plexiglass, 40 x 100 cm.
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